Bianco's sculptures contain an internal natural mathematical structure which generates dynamic contrasts.  They are born from the earth and full of spirit.  His sculptures are ancestral, yet they foreshadow the future.  These modern designs also express anthropological forms and abstractions both organic and figurative.

Bianco uses the language of texture to express various states of matter.  Using these textures, the stone seems to return to a mineral state.  It is a crystalline structure on one hand, and a biochemical form on the other.  Bianco's forms express nature's and humanity's ever evolving states, the evolution of species and the rise of natural selection.